Script Editor

Job Description:

Script editors work with screenwriters and producers to create film and television scripts that are suitable for production.

Job Category:
Culture, Media & Sport

What you will do:

Screenwriters and producers often have to reach compromises – the screenwriter will have a creative vision for their script, and the producers (the people who manage the business side of creating the TV series or film) will have commercial needs.

As a script editor, you’ll work closely with both parties to help them reach a compromise – you’ll remind screenwriters of the production and market requirements, and you’ll communicate the screenwriter’s creative vision (such as an important story arc or character flaw) to the producers.

Your responsibilities are likely to include:

  • finding writers with talent and potential
  • forming a good working relationship between writers and producers
  • assessing where a script is working and where there are problems
  • attending meetings to strengthen the story and character ideas
  • taking notes from the producers and using them throughout the scripting process
  • giving constructive criticism to writers and discussing possible changes with them
  • helping to restructure storylines and come up with new ideas
  • making sure the scripts are of a high quality and delivered on schedule
  • handling queries from cast and crew about the script


You’ll need to have the following competencies:

  • knowledge of current film and TV industry trends (to help you decide on the commercial value of a script)

As well as;

  • reading, writing, speaking, and listening (reading and edit scripts, listen to ideas, negotiate, and provide helpful criticism)
  • organisation / time management (to meet deadlines and prioritise workloads)
  • problem solving (to find solutions to problems with the script)
  • attention to detail (to take accurate notes from the producers)
  • networking (to grow a network of talented screenwriters) (teamwork skills)
  • an understanding of story structure, dialogue, and tone
Illustration of employee looking at workspace

Entry Requirements:

Becoming a Script Editor typically requires a strong educational background in a related field and practical experience in the film or television industry. While there are no specific subjects that are mandatory for this profession, having a good foundation in certain areas can be advantageous. Here are some subjects that can be helpful:

  1. English Literature or Language: A strong command of the English language is crucial for script editing. English can help you develop excellent writing, grammar, and communication skills.
  2. Drama or Theatre Studies: While not required, drama or theatre studies can provide insights into storytelling, character development, and the dynamics of scripts and screenplays.
  3. Media Studies or Film Studies: These subjects can provide a foundation in the theory and practice of film and media production, including scriptwriting and analysis.
  4. Art and Design: Understanding visual storytelling and the visual elements of scripts can be beneficial, especially for scripts intended for film or television.
  5. ICT (Information and Communication Technology): Proficiency in using technology, including screenwriting software, is important for script editors.

Post School

There are no fixed entry requirements, but a degree in a relevant subject will help you to develop your understanding of story structure, dialogue, and tone. Relevant subjects include:

  • screenwriting
  • creative writing
  • English literature
  • journalism
  • media and communication

It’s also possible to do a degree in, for example, English, followed by a workshop or short course in script editing.

Working Hours and Environment:

Most script editors are employed by a production company, although it’s possible to work as a freelance script editor for multiple production companies. Script departments tend to be office-based and full-time hours (9am to 6pm, Monday to Friday) are the standard. In the lead-up to deadlines, however, late finishes are unavoidable.

A lot of your time will be spent reading and editing scripts, providing writers with written feedback, and coming up with ideas. Because you’ll need to communicate with producers and writers, you’re likely to speak on the phone often, send lots of emails, and have regular face-to-face discussions.

You’ll also need to know a range of established and up-and-coming writers, so you might spend some of your free time going to the theatre, reading novels, and attending writers’ events.

Career Path & Progression:

Script editors often gain industry experience with an entry-level role, such as:

  • a script reader, where you’ll read scripts for a production company or screenplay competition and produce script reports
  • an assistant script editor, where you’ll assist the script editor with reading unsolicited scripts, proofreading, and making amendments
  • a researcher, where you’ll make sure scripts and dialogue are factually accurate (or accurate to the source material)
  • a production runner, where you’ll help the whole production team with small jobs and gain an overview of the entire production process

If your opinion and recommendations about the scripts you read prove to be helpful, this will help you to find work as a script editor.

Script editors who are interested in the commercial side of their job could transition to a production role, such as a production secretary, or work as a commissioner for a broadcaster, such as Netflix. Alternatively, you could use your industry knowledge to write your own scripts.